Music Gear
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Guild
The Guild F40 Valencia guitar has the D-TAR Wave-Length Pickup and Preamp System that combines a thin, piezo under-saddle transducer with an 18v, low-noise, high input impedance preamp, to create a system with twice the dynamic range of typical 9v systems. The 18v preamp is powered by two "AA" batteries and a voltage converter. With 18 volts, the signal has more headroom, so hard strumming won't distort as easily. The acoustic guitar's preamp also has an input for a second source, like a magnetic pickup or a soundboard transducer. Two adjustable trim pots, one for low frequency shelving and one for high frequency shelving, allow you to fine tune and "set and forget" the bass and treble frequencies to optimize the Wave-Length for your instrument's size and shape; enabling you to transparently amplify the natural timbre of your acoustic guitar with minimal coloration. The soundhole mounted Volume and Tone controls give the ultimate in final control over your tonal palette. But perhaps the coolest part of the system is D-TAR's new Load N Lock system, which allows quick and easy "AA" battery changes. Just unscrew the endpin "collar," remove the old batteries, and pop in the new ones. A quarter turn of the collar is all you need to lock them in place.
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Guild
Nothing sings out as bold and true as a Guild jumbo acoustic-electric guitar. They are the original Guild flat-tops, first manufactured in Manhattan in 1954. From the beauty of the spruce and the elegance of the rosewood to the depth of the nitrocellulose finish, Guild proudly stands behind their quality materials.In 1965, Guild offered its popular F-50 in a rosewood version. Like those classic guitars, this F-50R Acoustic-Electric features a solid rosewood back and sides with the same vintage specs as its predecessor. It has a 4.8"-deep body, X" bracing pattern and a rosewood bridge. The F-50R has a completely different sound and warmer tone than its maple sibling, the F-50, and has been an instrument of choice for players such as Bonnie Raitt, Bryan Adams and Dan Hicks. Features the D-TAR Wave-Length/Load and Lock pickup system.
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Guild
Nothing sings out as bold and true as a Guild jumbo acoustic-electric guitar. They are the original Guild flat-tops, first manufactured in Manhattan in 1954. From the beauty of the spruce and the elegance of the rosewood to the depth of the nitrocellulose finish, Guild proudly stands behind their quality materials.In 1965, Guild offered its popular F-50 in a rosewood version. Like those classic guitars, this F-50R Acoustic-Electric features a solid rosewood back and sides with the same vintage specs as its predecessor. It has a 4.8"-deep body, X" bracing pattern and a rosewood bridge. The F-50R has a completely different sound and warmer tone than its maple sibling, the F-50, and has been an instrument of choice for players such as Bonnie Raitt, Bryan Adams and Dan Hicks. Features the D-TAR Wave-Length/Load and Lock pickup system.
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Guild
The dreadnought body of this Guild acoustic guitar is made from all solid wood and features a cutaway, Sitka spruce top, African padauk back and sides, Indian rosewood fingerboard and bridge, bone nut and saddle, ebony bridge pins, wood binding, Fishman Matrix 1 pickup and 1-11/16" nut.
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Guild
The dreadnought body of this Guild acoustic guitar is made from all solid wood and features a cutaway, Sitka spruce top, African padauk back and sides, Indian rosewood fingerboard and bridge, bone nut and saddle, ebony bridge pins, wood binding, Fishman Matrix 1 pickup and 1-11/16" nut.
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Guild
The GAD-F30PCE guitar from Guild has an orchestra body, with all solid wood, cutaway, Sitka spruce top, African padauk back and sides, Indian rosewood fingerboard and bridge, bone nut and saddle, ebony bridge pins, wood binding, Fishman Matrix 1 pickup and 1-3/4"-width nut.
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Guild
The GAD-F30PCE guitar from Guild has an orchestra body, with all solid wood, cutaway, Sitka spruce top, African padauk back and sides, Indian rosewood fingerboard and bridge, bone nut and saddle, ebony bridge pins, wood binding, Fishman Matrix 1 pickup and 1-3/4"-width nut.
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Guild
The Guild GAD-F40P guitar has an original grand orchestra all solid wood body based on the 1955 F-40 Valencia body shape, with a 12th-fret neck joint, 16" lower bout, Sitka spruce top, African padauk back and sides, Indian rosewood fingerboard and bridge, bone nut and saddle, ebony bridge pins, wood binding and 1-3/4" nut.
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Guild
The Guild GAD-F40P guitar has an original grand orchestra all solid wood body based on the 1955 F-40 Valencia body shape, with a 12th-fret neck joint, 16" lower bout, Sitka spruce top, African padauk back and sides, Indian rosewood fingerboard and bridge, bone nut and saddle, ebony bridge pins, wood binding and 1-3/4" nut.
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Guild
The Guild GAD-F40P Acoustic-Electric Guitar has an original grand orchestra all solid wood body based on the 1955 F-40 Valencia body shape, with a 12th-fret neck joint, 16" lower bout, Sitka spruce top, African padauk back and sides, Indian rosewood fingerboard and bridge, bone nut and saddle, ebony bridge pins, wood binding and 1-3/4" nut. The GAD-F40P also features the Fishman Acoustic Matrix Natural I Under Saddle Pickup System.
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Guild
The Guild GAD-F40P Acoustic-Electric Guitar has an original grand orchestra all solid wood body based on the 1955 F-40 Valencia body shape, with a 12th-fret neck joint, 16" lower bout, Sitka spruce top, African padauk back and sides, Indian rosewood fingerboard and bridge, bone nut and saddle, ebony bridge pins, wood binding and 1-3/4" nut. The GAD-F40P also features the Fishman Acoustic Matrix Natural I Under Saddle Pickup System.
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Guitar 411
Doug Doppler helps you learn the building blocks of great Whammy Bar technique on this Guitar 411 DVD. Whammy Bar Mojo shows you how to construct and deconstruct the elements of music. Interestingly enough, much of this technique has as much to do how you get to and from the whammy bar and how you mute unwanted strings as it does using the bar itself. The DVD starts off with a series of exercises showing you how to keep those unruly strings quiet, and then integrate the volume control into the process of taming unwanted noise that accompanies the kind of gain necessary to make most of your favorite whammy bar licks come to life. From there you'll systematically go through the most commonly used techniques: Dives, Dive & Climbs, Dips, Vibrato, and Intervals. In addition to in-depth descriptions for how to master each of these techniques, you'll see how to play 4 licks using each of these techniques, and in turn how to place them into the 4th measure of the 1/8th note metal progression that is used repeatedly over the course of the DVD. See how to make the transition from measure three of the rhythm to the lick, and then play that transition 4 times at 120 bpm (beats per minute). Then you'll loop the entire rhythm and the lick four times at both 120 and 140 bpm. Once you've done that for all 4 licks inside each technique, you'll play the entire progression 4 times through dropping in each of the four licks every fourth measure at both 120 and 140 bpm. The end result is that you learn not only how to play each lick and technique, but how to use them in a musical framework at a slower and faster tempo to lock in each technique - cool! In addition to all that, there is a segment on how to change strings and get your whammy bar guitars in tune quickly, and this alone is invaluable.
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Guitar Hero
Guitar Hero III: Legends of Rock for PS3 or Nintendo Wii is the revolutionary musical video game that has swept the world. Turn up the volume and prepare to become a virtual rockstar using some of the most intense hand-eye coordination a video game has ever demanded.Become A Legend In this iconic video game series from Activision you face off against guitar icons like Slash of Guns N' Roses or Tom Morello of Rage Against the Machine. Fight insane battles featuring original tracks recorded exclusively for Guitar Hero III. But first you'll have to shred your way through classic tunes by such notables as Santana: "Black Magic Woman," ZZ Top: "La Grange," Red Hot Chili Peppers: "Suck My Kiss," and newer fare from Bloc Party: "Hellicopter," The Killers: "When You Were Young," and Queens of the Stone Age: "3's and 7's." In all, there are over 70 ear-catching headbangers, punk anthems, and modern rockers that'll keep your fingers busy. Master them all, and you'll feel like a legend too.Rock Out Online Or Party Offline With Activision's Guitar Hero III you defeat opponents to achieve legendary status in head-to-head competitions., There's even an all-new guitar battle where you can wreak havoc on your opponent's gear by using your earned weapons to break strings or amps. Or share the glory with a friend in the co-op career mode.Cutting Edge Guitar Controller Activision updated the Guitar Hero III controllers with enhanced button coloring and shape, making them feel more like a guitar than a toy. The wired Wii, PS3 and Xbox 360 controllers are based on Gibson's classic Les Paul. The PS2 controller is based on the Kramer Striker guitar. It's wired, has a removable faceplate, and comes with a series of stickers so you can customize the look of your axe. (Controllers require 2 AA batteries.)Game supports up to 2 players.
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Guitar Hero
This official Activision Guitar Hero Rechargeable Battery Pack works for the Les Paul controller for Xbox 360 and Playstation 3, and the Kramer Striker controller for Playstation 2.
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Guyatone
The Guyatone Flip Series TD-X Tube Echo Pedal boasts a hybrid digital delay circuit with parallel tube gain stage that allows ultra-long delays with the warmth and clarity of analog units! You get 2600ms delay time with Delay Level, Delay Time, and Feedback controls. An Analog Simulation knob blends in tube saturation on the repeats while a Tape Simulation knob blends in EQ curve that cuts ultra lows and ultra highs while boosting lower mids. Equipped with dual outputs and true bypass switching using a 3PDT switch.
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Guyatone
Just what is so great about the Guyatone MD-3? Quite simply, the Micro Digital Delay Pedal offers the most authentic note reproduction of any delay device available, period. Notes come back exactly as you played them: Not rounder, harsher, warmer, colder, or altered in any manner whatsoever. If you've ever played a tape echo, you know that their tone is not dark sounding like some people claim, but actually quite bright and clear. The MD-3 gives the user the crispness and clarity of a tape echo combined with the longer delay time of a digital device, while its controls react like an analog unit. 30-2600 milliseconds of delay time are available; more than enough to create an entire range of classic delay effects from rockabilly slapback to arena-rock washes of excess and everything in between. At higher feedback setting (above 3 o'clock) the MD-3 will self-oscillate like an analog delay, creating cacophonous cascades of repeats, UFO-landings, ray guns, and other bizarre sound effects. At lower feedback settings (around 2 o'clock) the MD-3 digital effects pedal can be used for multi-layering of short parts, creating beautiful, ethereal soundscapes that slowly fade into infinity. In addition, the MD-3 Delay has a lower current draw than other digital units, which means you'll spend less time changing batteries and more time playing!
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Guyatone
The CB-3 Cool Booster Pedal from Guyatone's Micro Series is a cool little booster that is designed for a variety of applications. The Cool Booster can be used to boost solo passages, or to distort an input signal while retaining unity gain with the bypassed signal. The Guyatone CB-3 Cool Booster pedal has unique tone circuitry that allows for boosting the input signal without altering the original tone. Whatever music you play, keep it cool with the CB-3 Booster Pedal!Designed with the performing musician in mind, Guyatone Micro Effect pedals offer unparalleled sound quality in an incredibly compact (2.75"W x 3.875"L x 1.5"H, max weight 9 oz.) format, all at a very competitive price.
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Guyatone
The MO-3 Micro Octaver is a 100% analog octave divider based on a vintage 1970s Guyatone circuit. Some modern design features have been added to bring the MO-3 pedal up to date, but it is still an analog effect, and its operation will vary greatly depending on input signal and playing dynamics. The MO-3 pedal offers one octave up and two octaves down from the original input signal, as well as a Dry blend control. Three filter types and a pre-gain control allow for a wide variety of effects, from subtle doubling to full-on chaos! If you are an experimental musician looking for a unique effect with tons of personality and a highly unpredictable nature, then the MO-3 is the pedal for you!Designed with the performing musician in mind, Guyatone Micro Effect pedals offer unparalleled sound quality in an incredibly compact (2.75"W x 3.875"L x 1.5"H, max weight 9 oz.) format, all at a very competitive price.
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