Music Gear
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MXR
MXR joined forces with Custom Audio Electronics founder Bob Bradshaw to bring you the MC-401 Boost Pedal. Cleans up nicely when you roll back your guitar volume, making it extremely responsive to picking dynamics without thinning your tone. High-quality components provide quiet operation and trouble-free interaction with other pedals on your board. Custom Audio Electronics has made limited quantities of pedals for select clientele since 1980 and has now teamed up with MXR to bring these pedals to the masses.
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MXR
MXR joined forces with Custom Audio Electronics founder Bob Bradshaw to bring you the MC-402 Boost/Overdrive Pedal. Cleans up nicely when you roll back your guitar volume, making it extremely responsive to picking dynamics without thinning your tone. The warm sounding classic overdrive adds sustain and punch. High-quality components provide quiet operation and trouble-free interaction with other pedals on your board. Custom Audio Electronics has made limited quantities of pedals for select clientele since 1980 and has now teamed up with MXR to bring these pedals to the masses.
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MXR
The MXR EVH Phase 90 Shifter is a limited-edition version of the legendary MXR Phase 90. The Phase 90 was instrumental in creating the guitar tones on the early Van Halen records; the swirling, spacey sound on such songs as "Eruption," "Atomic Punk," and "Ain't Talkin' 'Bout Love." The EVH 90 captures the warm, hypnotic tone of the vintage "script logo" Phase 90, and with the flip of a switch also delivers an intense, edgier phase tone. It features rock-solid internal construction and an indestructible enclosure to ensure years of flawless performance. Add to this the Van Halen-approved striped graphics from the guitar that changed the world and you have a truly unique piece of rock history.
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MXR
The MXR EVH Phase 90 Shifter is a limited-edition version of the legendary MXR Phase 90. The Phase 90 was instrumental in creating the guitar tones on the early Van Halen records; the swirling, spacey sound on such songs as "Eruption," "Atomic Punk," and "Ain't Talkin' 'Bout Love." The EVH 90 captures the warm, hypnotic tone of the vintage "script logo" Phase 90, and with the flip of a switch also delivers an intense, edgier phase tone. It features rock-solid internal construction and an indestructible enclosure to ensure years of flawless performance. Add to this the Van Halen-approved striped graphics from the guitar that changed the world and you have a truly unique piece of rock history.
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MXR
The MXR M-108 Ten Band Graphic EQ provides extreme control over the 10 most crucial frequencies for guitar. Also, with its separate input gain and output volume sliders, it provides a nearly ridiculous amount of level control. Any sound you want, from thundering crunch to searingly sharp clarity is easy to dial in. Includes power supply.
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MXR
Back by popular demand, the MXR M-117R Flanger creates a variety of wild sounds from dynamic jet plane or cool space effects to short delay, chorus, and vibrato. You have complete control of the filter so you can sculpt the sound you want. Back off the Width setting to zero to disengage auto-sweep, then use the Manual knob to physically place the effect anywhere along the frequency spectrum! Use with guitar, bass, keyboards, and vocals.The M-117R effects pedal has 4 knobs and a footswitch. The footswitch toggles the flanger effect on/bypass (red LED indicates on). The Manual knob selects the frequency center of the effect when auto-sweep is disengaged. The Width knob at zero disengages auto-sweep, but when you rotate it clockwise, it increases the total phase sweep of the effect. The Speed knob modulates rate of effect. The Regen knob feeds the effect back onto itself at adjustable intensity, increasing the total phase effect. Powered by battery or optional Dunlop ECB-004 AC adapter. (See accessory box on this page.)
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MXR
The M-181 MXR Bass Blowtorch bass overdrive pedal is made to deliver the hottest sounds this side of Hades-from a tube-like growl to full-blown distorted madness. Because the Bass Blowtorch's overdrive is focused in the midrange frequencies, you'll retain your low-end thunder and high-end sizzle while the overdriven mids cut through any mix. An active 3-band EQ with a mid shift switch provides precise signal balancing, while the Blend knob lets you balance the distortion with the direct signal for the exact tone you're after. 18-volt performance equals increased dynamic headroom, clarity, and low noise no matter the volume level, and true bypass circuitry means it's really off when you want it off, leaving your signal completely unaffected.
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MXR
With its warm analog circuitry and lush tremolo sound, the Dunlop TS-1 set the standard for tremolo pedals for over a decade. The MXR M159 Tremolo Pedal keeps all the effects and controls of the original but in a smaller, pedalboard-friendly size. Its 18-volt operation provides rich and vibrant sound with low noise due to its high headroom. With the versatile input/output options the M159 guitar pedal can produce hypnotic, pulsing mono tremolo through a single amp or ping-ponged from one amp to another in stereo mode for a huge, spacious tone.
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MXR
The MXR Carbon Copy Analog Delay Pedal features a completely analog audio path for the ultimate in rich, warm delay made possible only by old-school bucket brigade technology. This design boasts an amazing 600ms of delay time with optional modulation via a top-mounted switch and a simple, three-knob layout that controls Delay time, Mix (dry/wet blend), and Regen (delay repeats) all in a pedal no bigger than a Phase 90. In addition, the M169 pedal has two internal trim pots that offer user-adjustable width and rate control of the modulation for even more tonal options. The Carbon Copy effect pedal will take you from crisp bathroom slap echoes to epic, Gilmour-esque delays with a twist of a knob. True hardwire bypass, single 9-volt operation, and stage-ready blue LEDs round out the package.
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MXR
Guitarists of all styles, from Hendrix devotees to garage rockers and stoner-metal fanatics, will dig the familiar late-Sixties/early-Seventies crunch delivered by the MXR Classic 108 Fuzz. Dunlop has taken the guts of the BC-108 loaded Fuzz Face, placed them in a more pedalboard-friendly shape, and added the modern conveniences of a battery door, optional AC operation, and true bypass with LED. The M173 pedal's Buffer switch eliminates the audible oscillation caused when some wah-wahs are placed in front of a Fuzz Face. The Classic 108 Fuzz comes in a heavy-duty Phase 100-sized box with a sweet hammer-tone turquoise finish.
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MXR
The MXR ZW-44 Wylde Overdrive Pedal performs like Zakk. Whether on his groundbreaking work with Ozzy Osbourne or with his own Black Label Society, Zakk Wylde's guitar playing is loud, tough, and relentless. Zakk's take-no-prisoners attitude extends to his quest for tone, too. His signature ZW-44 overdrive pedal will turn your clean amp into a heavy, chunky, crunch machine. Or, use it like Zakk does and kick it in front of a dirty amp for a screaming, sustaining lead tone. 3 simple controls output, tone, and drive make getting up and running easy, so you can concentrate on your chops.
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Nady
5 selected frequencies are available on the VHF high band (171-216MHz)of the Nady 1001 MK2 Hand-Held Wireless Microphone System providing interference-free long-range performance. The receiver uses a half rackspace and features a retractable front-panel antenna, RF and AF 5-LED displays for monitoring incoming signal strength and audio level, balanced XLR and unbalanced adjustable 1/4" outputs, and a unique snap-out side-panel locking tab for optional side-by-side mounting. Mic range: 250-500' line-of-sight. The Nady 1001 MKII includes receiver and dynamic cardioid transmitter microphone. Please specify channel.
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Nady
5 selected frequencies are available on the VHF high band (171-216MHz)of the Nady 1001 MK2 Hand-Held Wireless Microphone System providing interference-free long-range performance. The receiver uses a half rackspace and features a retractable front-panel antenna, RF and AF 5-LED displays for monitoring incoming signal strength and audio level, balanced XLR and unbalanced adjustable 1/4" outputs, and a unique snap-out side-panel locking tab for optional side-by-side mounting. Mic range: 250-500' line-of-sight. The Nady 1001 MKII includes receiver and dynamic cardioid transmitter microphone. Please specify channel.
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Nady
5 selected frequencies are available on the VHF high band (171-216MHz)of the Nady 1001 MK2 Hand-Held Wireless Microphone System providing interference-free long-range performance. The receiver uses a half rackspace and features a retractable front-panel antenna, RF and AF 5-LED displays for monitoring incoming signal strength and audio level, balanced XLR and unbalanced adjustable 1/4" outputs, and a unique snap-out side-panel locking tab for optional side-by-side mounting. Mic range: 250-500' line-of-sight. The Nady 1001 MKII includes receiver and dynamic cardioid transmitter microphone. Please specify channel.
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Nady
5 selected frequencies are available on the VHF high band (171-216MHz)of the Nady 1001 MK2 Hand-Held Wireless Microphone System providing interference-free long-range performance. The receiver uses a half rackspace and features a retractable front-panel antenna, RF and AF 5-LED displays for monitoring incoming signal strength and audio level, balanced XLR and unbalanced adjustable 1/4" outputs, and a unique snap-out side-panel locking tab for optional side-by-side mounting. Mic range: 250-500' line-of-sight. The Nady 1001 MKII includes receiver and dynamic cardioid transmitter microphone. Please specify channel.
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Nady
5 selected frequencies are available on the VHF high band (171-216MHz)of the Nady 1001 MK2 Hand-Held Wireless Microphone System providing interference-free long-range performance. The receiver uses a half rackspace and features a retractable front-panel antenna, RF and AF 5-LED displays for monitoring incoming signal strength and audio level, balanced XLR and unbalanced adjustable 1/4" outputs, and a unique snap-out side-panel locking tab for optional side-by-side mounting. Mic range: 250-500' line-of-sight. The Nady 1001 MKII includes receiver and dynamic cardioid transmitter microphone. Please specify channel.
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Nady
With a compact and durable all-steel chassis design, the GEQ-231 provides optimum audio control for all live and recording applications, plus ultimate operating convenience and maximum reliability.
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Nady
This 3-way amp allows you to power your left and right main speakers and your subwoofers, with no crossover necessary, all from one 2u rack chassis. The 3WA-1700 easily powers four 8 ohm speakers for the stereo mains and two 8 ohm subwoofers with 450W of power per channel plus a whopping 800W for the subs! A perfect amp for DJ's, touring bands, or small clubs.
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